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Unfigured bass
Unfigured bass, less commonly known as under-figured bass, is a kind of musical notation used during the Baroque music era in Western Classical music (ca. 1600-1750) in which a basso continuo performer playing a chordal instrument (e.g., harpsichord, organ, lute, etc.) improvises a chordal accompaniment from a notated bass line which lacks the guidance of figures indicating which harmonies should be played above the bass note (see figured bass).〔Lester, Joel (1994), ''Compositional Theory in the Eighteenth Century'', Cambridge: Harvard University Press, pp. 69.〕 Figured bass parts have numbers and/or accidentals below the bass line which indicate which intervals above the bass should be played in the chord. However, not not all basso continuo parts from the Baroque period were figured.
==History==
From the earliest days of thoroughbass, composers and copyists have been chastised for providing bass parts without any figures to guide performers. Despite perennial complaints, however, unfigured basses persisted right through the eighteenth century. Though it is speculated that unfigured basses would not have existed if it were not for the suggestion of harmonies in bass lines of the time.〔
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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